Sunday 25 January 2015

Ian Richards - Brummie Road

Published: 2014

Reading is essentially about escapism. Novels take us to exotic, foreign places; to otherworldly paradises or dystopian hells. Brummie Road certainly took me to a strange and unfamiliar territory – the world of the football fan. And, as many a fan who has followed their team doggedly through the highs and lows may tell you, it can be both a heaven and a hell.

                I’m not a football fan myself, and prior to reading this book (which, for the sake of fairness, I should point out was written by a mate of mine), I knew literally one fact about West Bromwich Albion – that their ground, The Hawthorns, is the highest above sea level of any English top-flight club (it really is, I checked). I’d never heard of Jeff Astle and, as far as I was concerned, The Three Degrees were a successful trio of R&B singers. So, whilst a story following the fortunes of the club through the experiences of some of its supporters would be an obvious recommendation for anyone who’s followed their team through thick and thin, what about the rest of us?

                Written in a rapid-fire present tense that reflects the eb and flow of everyday life, Brummie Road kicks off (sorry) in 1964. Billy and ‘Jonah’ Cartwright are just out of school and life revolves around pubs, music, and above all, standing on the terraces of the Brummie Road end, where they watch every Albion match they can get to. With the beer flowing, employment plentiful, and the new trend of singing on the terraces spurring their team on to victory, it looks like only Billy’s inability to approach that girl at the bus stop might complicate things. But real life outside of the Bovril and fag smoke scented oasis of the terraces is destined to intervene. Over the next four years leading up to Albion’s FA cup victory, the faltering economy and racial tensions in their local area, combined with complications in their own lives, mean Billy and Jonah will be left no choice but to face up to the realities of the world outside their blue-and-white bubble.

                West Brom’s post-1968 glories are akin to looking for several jam jars containing tea-lights scattered around a rainy field in the middle of the night, so the second and third parts of the novel hone in on two other periods where the team were once again making waves: 1978-79, and 1991-94, during which we catch up with both the central and peripheral characters at different stages in their lives. For me, Jonah is by far the most interesting character, combining a swaggering, cocky exterior with an internal honesty about his own myriad inadequacies.  In a way, I see him as representing the feel and spirit of the novel itself: fun and light hearted, to begin with, but with a darker core that becomes more and more difficult to avoid as the story progresses. Unfortunately, not all of the central characters are as deeply developed; we don’t get to know Kath well, for example, she’s more of a vehicle for bad things to happen to.

                Speaking of the novel’s  – and the sport’s – darker side, football hooliganism is one of the themes dealt with. Without first-hand experience I cannot honestly say how accurately this is portrayed – especially because our perceptions of the phenomenon are, even now, so coloured by probably heavily sensationalised newspaper headlines. That said, Brummie Road isn’t about hooliganism, and certainly doesn’t glamorise it. John King’s novel The Football Factory said all that needed to be said about hooliganism in this period, to the extent that it arguably edged too close to lionising hooligans or glamorising their violence. Richards works on the assumption that his readers have probably read that novel, and doesn’t waste time covering the same ground. It’s there, though, as an unavoidable backdrop. The characters largely eschew the violence themselves, despite getting caught up in it to varying extents.

                Another issue of the era touched upon is racism and immigration, a topic which provides some of the novel’s most poignant moments. It negotiates racial issues like a grimy, Midlands, Bovril-flavoured version of White Teeth. Elsewhere, it effectively juxtaposes humour with self-awareness, like one character drunkenly attempting to explain the Gulf War in footballing terms (who hasn’t experienced that moment of clarity, despite the alcohol, when you realise no-one’s got a clue what you’re trying to explain?)

                For me, it was one of those books where you finish it, think ‘that was a good laugh’, or you remember the sweet bits... and then it gradually dawns on you that it dealt with some heavy themes, but they just snuck by – a bit like real life, you just get on with it. If it’s really about anything other than the Albion, then it’s about how people navigate their way through life’s traumas, finding comfort and escape where they can whilst knowing that, for everyone else, life rumbles on regardless.


                So, whilst Brummie Road is definitely an obvious recommendation for any footie fan, past or present, it’s emphatically not just for them. Bill Shankley might once have said that whilst some people think football is a matter of life or death, “I assure you it’s much more serious than that”, Richards knows it’s not, and so does Brummie Road.